FRONT 2022 has been conceived through a collaborative methodology that reflects a curatorial interest in group dynamics and therapeutic processes. Beginning early in 2019, the exhibition’s Co-Artistic Directors, Prem Krishnamurthy and Tina Kukielski, convened local cultural partners and stakeholders to consider the goals, methods, and outputs of the exhibition, resulting in the assembly of an expanded Artistic Team that will play a key role throughout the exhibition’s development.
The Artistic Team is a multidisciplinary group who will guide and advise on the exhibition’s process and amplify its public impact. FRONT 2022’s artistic team is comprised of Evelyn Burnett, Courtenay Finn, Emily Liebert, Dushko Petrovich, Kameelah Janan Rasheed, Tereza Ruller, and Murtaza Vali. Their voices capture local, regional, and international perspectives, and their collective skills span design, publishing, curation, education, and community organization. They will work in close collaboration with the Curatorial Team, which includes the Co-Artistic Directors, Associate Curator, Meghana Karnik, and Curatorial Assistant, Lo Smith.
ThirdSpace Action Lab, Cleveland
Evelyn Burnett is co-founder and partner of the ThirdSpace Action Lab (TSAL) and Third Space Café. Prior to starting TSAL, she served as Vice President, Economic Opportunity at Cleveland Neighborhood Progress, Associate Director for Program Strategies with Admiral Center at Living Cities, project director in the city of Cleveland’s Office of Sustainability, and Cleveland Executive (Coro) Fellow. Burnett is a 2018 German Marshall Fellow and holds board officer roles for Birthing Beautiful Communities, ioby, and Teach for America.
Courtenay Finn is currently the Chief Curator at the Museum of Contemporary Art Cleveland (moCa). Prior to her appointment at moCa, she was Senior Curator at the Aspen Art Museum (AAM), where she organized thematic exhibitions such as Lost Without Your Rhythm, Gravity & Grace, and The Revolution Will Not Be Gray; as well as solo exhibitions of Yto Barrada, Haris Epaminonda, and Mickalene Thomas. From 2011–2014, Finn was the curator at Art in General, New York. In 2013, she co-curated North by Northeast, the Latvian Pavilion for the 55th edition of the Venice Biennale.
The Cleveland Museum of Art
Emily Liebert is Curator of Contemporary Art at The Cleveland Museum of Art (CMA). Since joining the museum in 2017, she has curated and co-curated exhibitions of Kerry James Marshall, Liu Wei, and Raúl de Nieves, as well as a forthcoming exhibition with Laura Owens opening in summer 2020. Liebert also co-organized, with Ugochukwu-Smooth C. Nzewi, CMA’s first site-specific commission in its atrium, Emeka Ogboh’s Ámà: The Gathering Place (2019). Before her appointment at the CMA, she worked at the Museum of Modern Art (MoMA) as curatorial assistant for the retrospective Robert Rauschenberg: Among Friends (2017) and curated Multiple Occupancy: Eleanor Antin’s “Selves” (2013) at Columbia University’s Wallach Art Gallery, and ICA Boston.
SAIC New Arts Journalism, Chicago
Dushko Petrovich is a co-founder of Paper Monument, where he has published numerous critically acclaimed and bestselling books, including Draw It with Your Eyes Closed: The Art of the Art Assignment; Social Medium: Artists Writing 2000–2015; and As Radical, as Mother, as Salad, as Shelter: What Should Art Institutions Do Now? Petrovich has produced Adjunct Commuter Weekly and The Daily Gentrifier under his personal imprint, DME. Having previously taught at Boston University, Yale University, and the Rhode Island School of Design, Petrovich currently directs the New Arts Journalism program at the School of the Art Institute of Chicago.
Kameelah Janan Rasheed
Kameelah Janan Rasheed is a Brooklyn-based learner from East Palo Alto, CA. In her work, she researches the deeply intertwined spiritual, socio-political, ecological, and cognitive processes of learning/unlearning. Rasheed makes her inquiries visible through an ecosystem of iterative and provisional projects including sprawling, Xerox-based “architecturally-scaled collages” (Frieze, winter 2018), publications, public works, prints, digital archives, lecture-performances, library interventions, poems/poetic gestures, and other forms yet to be determined.
The Rodina, Amsterdam
Tereza Ruller is an Amsterdam-based independent designer, a member of Alliance Graphique Internationale, and co-founder of The Rodina, a communication design studio. She investigates theoretical frameworks around bodies, labor, surface, and action. Her studio invents ways in which experience, knowledge, and relations are produced and preserved. The Rodina works primarily with cultural clients such as Harvard GSD (USA), Sonic Acts (NL), and Hyundai Card Library (KR). Ruller is an educator at Design Academy Eindhoven. She exhibits and lectures internationally, including at CalArts (USA), Cooper Union (USA), and ZHDK (CH).
Independent Curator, Brooklyn/Sharjah
Murtaza Vali is a critic, curator, and art historian based in Brooklyn and Sharjah. A recipient of a 2011 Creative Capital | Warhol Foundation Arts Writers Grant for Short-Form Writing, he regularly contributes to art periodicals and publications for non-profit institutions and commercial galleries. Vali is also an Adjunct Curator at the Jameel Arts Centre in Dubai, where he curated the widely acclaimed inaugural group exhibition Crude, which explored the relationship between oil and modernity across West Asia. A Visiting Instructor at Pratt Institute, Brooklyn, he is also a Lead Tutor of Campus Art Dubai.